Posts Tagged ‘alan’


Hey Y’all

2010年 8月 5日

Hi everyone! Aoliwa here.

As you’ve probably noticed, Koweizhi and I have been rather absent lately. We just got back from a Taiwanese American camp and we’ve got lots of stuff.

  • Jpop releases by: YUI, Kanon Wakeshima, Nana Mizuki, VAMPS, alan, Ayumi Hamasaki, JASMINE, Namie Amuro
  • Kpop releases by: C.N. Blue (discography), BoA, and SHINee
  • Editorials: Kpop vs. Jpop (II), Summer of Tek
  • Live reviews: D’espairsRay, Dir en grey (we get to meet them :D)
  • New Polls
  • Aoliwa’s playlists for EVERYTHING

Also Koweizhi and I are doing some recording in the next couple of days so we might post that as well. Look forward to it!!

Much 愛、



alan- 蘭色~Love Moon Light~

2010年 4月 16日

I have a feeling that dress is really cute, but whoever did the lighting for this shoot should be fired <_<

First song we have is 我的月光 (I have no idea what the pinyin tracks are for these songs, so if someone could help me out I’d appreciate it!). I’m really happy with this new direction that alan has taken with this Chinese mini-album. We are back to a much more folksy and natural sounding alan. This first track is a ballad, and has this very mysterious opening. The song is mostly occupied by piano, but it’s absolutely gorgeous. The chorus is epic. This is one of alan’s best ballads to date IMO (and we know she’s had a LOT of those).

炫影~Sharp Light~ begins with this graceful piano solo, preparing us for a ballad. This song has numerous Asian undertones in the melody. Although traditional instruments weren’t necessarily prevalent, the plucking of the harp and other string instruments brings us back to alan’s folk roots. The verses are the best parts of the song because they really carry a story.

有Me就好 is the obligatory (?) pop track on the album, and consequently my least favorite. It’s not a bad song, but not my style. It’s very poppy and up and positive and let’s-go-shopping-and-be-cute-lalala. Truth be told it’s pretty catchy, but most of you know by now how I feel about bubble gum pop. What I do like about this song are the jazz elements incorporated in the instrumentals.

落單的翅膀 is a mix of folk and modern pop-rock. We don’t get much guitar action in alan’s Japanese works, so the acoustic flavor of this song works really well. The melody combines folk elements with modern melodies, which is pretty cool. The choruses switch from acoustic guitar into electric, giving the song an edgier sound.

The next two tracks are the Chinese covers of to songs on her last Japanese album, My Life. Nobody knows but me was kind of the least favorite track for a lot of people, but it was my favorite track off the album ._. The instrumentals are the same this time (often they are altered in alan’s Chinese versions). The Chinese actually flows quite well in this song, and alan takes more vocal freedoms. There’s this one part where she sounds like she’s about to cry; it was so raw. Also, unlike many of alan’s Chinese versions, the mountain wails are still here!

Lastly is my other favorite track from the album, My Life. Personally I prefer the Japanese version because I feel like it flows better with the instrumentals. Anyway, this song is still as beautiful as the Japanese version.

Also, this album includes 炫影~Sharp Light~piano only version, which is a gorgeous listen as well.

Overall: I think the old alan is coming back =] No more ayu treatment, ‘kay?

Rating: 9/10

Track list:

1. 我的月光
2. 炫影~Sharp Light~
3. 有Me就好
4. 落單的翅膀
5. Nobody Knows But Me
6.My Life
7. 炫影~Sharp Light~piano only version


alan-Diamond/Over the Clouds

2010年 2月 3日

Makeup looks pretty. Hair looks not so pretty. Dress looks badly photoshopped. And white background is very sterile and lame. No like much. God damn alan wear a kimono again! Also… where’s the fancy script of alan’s name ;_;

Ok so like many of you I was tentative about alan’s new release after the debacle that was My Life. Diamond borrows the same melody as the craptastic song from said album, Essence of Me. While I thought Essence was the biggest piece of crap I had ever heard from alan, Diamond treats the melody much better. The beginning of the song is sooo alan IMO (and a little Ayu..). The bells and piano create a wintery atmosphere similar to songs like Ashita he no Sanka. After about a minute or so the pace changes and this is where the song gets Ayumi-fied. Upbeat drums and alan singing “la la la” and stuff is so veerrrry Ayumi Hamasaki. I think the new style works for this song, but I really don’t want alan becoming another Ayu.

Personally I preferred Over the Clouds to the first A-side. The song has a game tie-in, so the music is very ominous. We hear a mysterious harp solo in the beginning, but that is substituted for more game like music. I do not like what they did to alan’s voice. Why put stuff like autotune/vocoder on someone with such a fantastic voice. Judging by the way the voice distortion was use it seems like they were trying to imitate alan’s ethnic style of singing. I looovve the strings in the background. To me this song has the same mood as Yuna Ito’s song I’m Here. The chorus is much more alan style too. alan can take something like static electronic music and give it life, which is not easy to do. The ending of this song is my favorite part with alan murmuring in the background.

Overall: While we’ve moved away from the crap in My Life we’re still not back to alan’s usual style. I liked this songs, but I’m wary of her style being transformed into Ayu’s. At least this stuff is more innovative. It’s not Kuon no Kawa, but it’s a hell of a step up from her more recent singles.

Rating: 8.5/10

Track list:

  1. Diamond
  2. Over the clouds
  3. Diamond (Instrumental)
  4. Over the clouds (Instrumental)

Best of 2009: Album Artwork

2010年 1月 8日

I’ve been looking forward to this part of the “best” awards. This will probably be my last installment of the “best of”s, because I’m going to have a gigantic “worst” of post out this weekend. So here, in all their glory, are what I thought were the best album covers of 2009.

For a while I thought that this release was part of 2008 because it was released so long ago!. Anyway, RURUTIA’s music is very ethereal and reminiscent of Final Fantasy music. This cover reflects the magical element so present in her music. This cover is like a cross between reality and fantasy.

Namie Amuro: Past<Future
Plagiarized or not, this is one hot cover and it represents Namie’s moving forward with her musical career. The cover came under suspicion when it greatly resembled an image in a Korean magazine. Although it seems like the case is valid, it probably wasn’t Namie’s idea. In truth what really makes this cover amazing is Namie’s coy expression. Even if it wasn’t her idea, her cover is ten times sexier.

alan: Gunjou no Tani
This cover is one of alan’s finest. She looks so peaceful. She dons traditional garb, and it really pops compared to the dark background behind her. In this cover we have tradition and nature- the two most important aspects of alan’s music. I hope we see more of this soon!

OLIVIA: Sailing Free
Everything about this cover is so “OLIVIA.” She’s just kind of floating there, looking completely serene. Although it’s a lot of pink, all of the detail keeps this cover from being boring.

Koda Kumi: Alive/Physical Thing
Regardless of what you think of the single, I think its cover is astounding. Kuu-chan’s covers have gotten progressively better over the years. She went from looking almost like a trashy porn star to looking like more of an artist. I love the juxtaposition of this cover: Kuu looks like an angel while the environment around her is clearly rugged. Her outfit looks really high-fashion and her make up looks class. This cover is sexy without being over-the-top.

Nana Kitade: Tsukihana
Not only was this an outstanding musical feat for Nana, but its cover is a work of art too. Nana looks great in a traditional kimono. Since Nana is a model for a lot of lolita clothes, she knows how to wear an outfit. Her posture and expression make this otherwise traditional setting a little more modern.

Tohoshinki: Stand by U
The reason I like this cover so much is that it makes the boys look more “real” to us. They usually wear flashier clothes in staged and tempered environments. Here though, things look a little more candid and realistic. This kind of comforting image fits the A-side as well because the song projects a kind of intimacy.

Ayumi Hamasaki: Rule/Sparkle
This is one of my favorite Ayu covers to date. The tight-fitting outfit, silver high-heels, and bold covers give this image a futuristic look, perfectly representing the songs on the single. This single came out with many cover editions, as is common for Ayu nowadays, but this one was my favorite. Her makeup looks great too… not overdone, but still foxy. =]

Minami Kizuki: Shiroi Tsuki
I discovered Minami’s music kind of late in the year. For those of you who don’t know her, she has a voice uncannily similar to Hajime Chitose’s (she did the 4th ending to Blood+). This single happens to be a ballad, and the cover kind of reminds me of something alan would do. Minami really stands out from the black background. I really do think of the moon when looking at the cover.. maybe it has something to do with her reflection.

Miliyah Kato: WHY
This single represents one of Miliyah’s strongest releases to date. This cover lacks the glamor of a lot of these others on the list, but it perfectly reflects the raw emotion of the song WHY. Miliyah is known for her more “Diva-esque” covers, so this vulnerable side from her is something to look forward to.


Best of 2009: B-sides and other stuff

2010年 1月 3日

Here’s the 3rd part to my 5-part “Best of 2009” installment! This time I’m focusing on B-sides and album-only tracks.  There are a couple more bonus categories I didn’t know where else to put (best collaboration and such). Again, nothing is in any particular order.

  • Gunjou no Tani (acoustic ver.)- alan (Gunjou no Tani)
  • SYOUKUBENI (shot in one take)– Dir en grey (Hageshisa to, Kono Mune no Naka de Karamitsuita Shakunetsu no Yami)
  • mute– Mihimaru GT (Torokechau Dandy)
  • Pied Piper– Plastic Tree (Sanatorium)
  • I– salyu (extension)
  • KISSES– stephanie. (Pride ~a part of me~)

  • Shiroki Yuu Utsu- the GazettE (DIM)
  • suki– Rie fu (Urban Romantic)
  • Akizakura (cosmos)– Ikimono Gakari (Hajimari no Uta)
  • Driving– Koda Kumi (Trick)
  • Drella– alice nine. (Vandalize)
  • COPY THAT– Namie Amuro (Past<Future)

There were a number of new artists this year… but as the title suggests I’ve only considered the artists who had the strongest debuts (I chose 5). I don’t consider artists like alan to be “new artists” since her work was well known way before her debut album. Artists like Mao Denda (who apparently released stuff about 9 years ago) are eligible because they made themselves known in 2009.  It’s a bit confusing, but it makes sense in my mind ._.

  • MiChi
  • Kana Nishino
  • Kizuki Minami
  • Lil’ B

Those where my three “main” categories. Here are the other ones (basically I was just too lazy to make graphics for categories with only one or two winners).

Best Collaboration: Ima Demo Aitai Yo– Yuna Ito feat. Spontania

Best Revival: UnsraW
Best appearance on anime: Again– YUI
Best Instrumental/Interlude: —anten.– Plastic Tree, Tenyou ~Interlude~– alan, INTRODUCTION FOR TRICK– Koda Kumi
Best Remix: romantic (strings ver.)– Rie fu, Days 8-bits of tears YMCK remix– Ayumi Hamasaki


Best of 2009: Albums

2010年 1月 1日

Best albums of 2009 (not necessarily in order) from left to right

  1. alan- Voice of Earth
  2. Yuna Ito- Dream
  3. Ayumi Hamasaki- NEXT LEVEL
  4. the GazettE- DIM
  5. alice nine.- Vandalize
  6. Namie Amuro- Past<Future
  7. Nothing’s Carved in Stone- Parallel Lives
  8. rie fu- Urban Romantic
  9. Mai Fukui- My Song for You
  10. Girugamesh- Now
  11. Younha- Growing Season (Honorary Korean Masterpiece)

Honorable Mentions

Ikimono Gakari- Hajimari no Uta
Koda Kumi- Trick
Ayaka Hirahara- My Classics


Best of 2009: singles

2009年 12月 31日

Well I haven’t been reviewing on account of I’ve been on vacation =]. Anyway, now that I’m back and Kowezhi has decided to go party without me (<_<) I’ll spend my New Year’s Eve writing “best of”s. I’ll do singles holistically. I may add a category for b-sides or album-only tracks. None of them are in any particular order… just whatever comes to my mind. Also, no commentary since that would take way too long. Feel free to comment if you agree/disagree. It’s quite possible that I forgot some of the best. Mouse over the album pics to see the name of the artist/single.


Alright I really wanted this to be a “top 10” sort of deal… but 11 never hurt anyone =] If I *had* to pick a “number 1” I’d have to go with alan’s Kuon no Kawa. I mean come on.. that thing is EPIC (even if it rehashes the same two songs over and over). Also, even though I gave some singles better reviews than others I gave my top 10 based on musicianship, not necessarily the rating I gave. For example, although I enjoyed Miho Fukuhara’s Nande Nakitaku Nacchaun Darou tremendously, Hanabi Sky was clearly a more musical feat.

Honorable Mentions
Kana Nishino- Dear…/MAYBE
Onitsuka Chihiro- X/Last Melody
Lil’B- Tsunaida Te
Mika Nakshima- Overload
Salyu- Corteo ~Gyouretsu~
BoA- Eien