Archive for the ‘Arashi’ Category

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Poll Results: Battle of the Boy Bands

2010年 6月 21日

In accordance with last poll’s survey on female groups, I’ve added the male counterpart. Honestly I was kind of surprised at the results. Let’s start with the Kpop boys.

Well I’m not too versed on male kpop groups… sure I know who’s who and all that, but not too familiar with the music. Big Bang and Epik High battled it out for a while, but the winner is clear… epic win for Epik High!

Epik High- 13 votes, 43%
Big Bang- 6 votes, 20%
SS501- 5 votes, 17%
2PM/2AM/One Day- 4 votes, 13%
Super Junior- 2 votes, 7%
MBLAQ+B2ST/BEAST- 0 votes =[

Since I’m basically only familiar with 2PM and a little bit of SS501 I guess I’d have to vote for them. I’m not too into Big Bang’s style though. Heh I kind of wanted someone to vote for MBLAQ because they’re Rain’s brainchild, but whatever. Good job Epik High!

So it takes a Korean band to win for the Japanese? (heh I would have voted for them too.) These results were astonishing…

Tohoshinki- 22 f*ing votes, 76%
KAT-TUN- 3 votes, 10%
Arashi- ”
NEWS- 1 vote, 3%
Hey! Say! JUMP + w-inds.- 0 votes =[

I really didn’t expect them to win by that big of a margin. Although they are on hiatus right now, I look forward to each of the member’s future endeavors.

So, was there a band or group that should have been on the ballot for “Best of the Best”?
Also, since I’m not too familiar with Kpop boy bands, what are each bands best songs?

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Kpop vs. Jpop: The Epic, Part I

2010年 6月 5日

As you all have probably realized Tsuki no Ai has begun featuring Kpop artists on the blog. There are a number of reasons for this addition. First, I am trying to learn Korean (along with Mandarin and Japanese) as part of my major for East Asian Studies. I’d like to attain complete fluency in all three languages so I can have the freedom of living in most places in East Asia (heh Vietnamese will have to come later). Listening to Japanese music has been instrumental in my progression of the language because it helped me become accustomed to its sound and nuances. I’m trying to recreate that same affect with Korean music. Secondly, I want to warm up to more Asian cultures, aside from my Japanese “comfort zone.” Even though I’ll be reviewing Korean from now on (in addition to Japanese and perhaps the occasional Chinese), my heart still belongs with Japanese music. Why is that? Well that’s an issue I want to explore in my first ever EDITORIAL (zomg yaaaaay O(≧∇≦)O). Let’s get started.

The Lyrics

The first major distinction between Kpop and Jpop lies in the lyrical content of a song. While there are exceptions in each case, let’s take a look at two “typical” songs (English translations). I tried to choose upbeat songs from two artists (after all it wouldn’t be fair to choose an upbeat song for one and ballad for the other).

Ayumi Hamaski- excerpt from “Rule”

I don’t want to be imposed on
By the same old stupid Rules
Let’s start first, you and me
By breaking the Rules

Since the moment my strength turned into tenderness
And my tenderness turned into strength
I have nothing to fear any more
I’m feeling so

4minute- MUZIK

Let’s move within the rhythm that’s drawing us in
Let’s move within the non-stop raining music
I like the music, like, like, like the music
Listen to my song, not that boring beat

More sexier and tastier, I like it, I like it
Add more booty and do it more stylish, I like it, I like it
Now let’s fire it up with me, party tonight

Noticeably difference right? Now of course there are exceptions… you will find slutty lyrics from Koda Kumi and touching lyrics from Younha. However, what I’m trying to focus on is the general trend of lyrics. Jpop tends to focus on life- love, pain, parties, depression, childhood, parents, a journey, being sexy, happiness, anxiety, nervousness, etc. etc. Kpop’s sphere, while it can embody all of those I just listed, usually encompasses sexiness, parties, and love. Now don’t get me wrong, I love me a good slutty song, but I do like a little variety in my music. Now you most certainly can find deep Korean lyrics (especially in the ballads), but here I’m just trying to distinguish between upbeat songs.  I’m not trying to stereotype either Kpop or Jpop, I’m just noting some observations I’ve made by listening to all sorts of Asian music for 5+ years.

The Music

Now let’s focus on the instrumentation of each group. The vast majority of Kpop is sexy synth, aggressive hip hop, bubblegum pop, or moving ballads. Rarely are real, tangible instruments regularly used (with the exception of Younha, the TRAX and a few others). Japanese music on the other hand is much more diverse. We have acoustic goddesses like YUI, synth queens like Koda Kumi, pop mavens like Namie Amuro, techno bitches like Ami Suzuki, rock demons like OLIVIA… the list goes on endlessly. Japan suffered from a relatively stale music environment for quite a few years until X Japan (then just X) surfaced in the 80s. Now I’m not even concerning myself with Jrock here… purely Jpop. If I were to included Jrock into this mix the list of musical styles would expand enormously. The reason I won’t include Jrock right now is because there really isn’t a “Krock” scene to speak of. Yes there have been a few successful rock bands in Korea, but the charts speak for themselves. Korea wants pop, not rock. Now perhaps I’m not being totally fair here. The Japanese music market has had decades of history. Japan has had ample time to produce well-rounded artists of all different genres. Korean music hasn’t  been around as long (in terms of mass marketing), so it’s natural that the market is more limited. It’s not to say that Korea can’t produce talented artists, because it certainly can, it’s just that most of these artists belong within one or two genres.

Also of importance is song length. It is very rare to find a Korean song over 4 minutes long- even if it’s a ballad. In Japan it’s not unusual to see a ballad go for 5 or 6 minutes… X JAPAN’s epic, “Life of Art” rocks out for 30 minutes (ok yeah that’s rock, but you get the point). Personally I don’t think that you can make a well developed ballad in under 4 minutes… even upbeat songs need time for exposition, development, and recapitulation. Yeah Kpop songs are infectious, catchy, and dance-friendly, they’re just not long enough for my tastes. Often I find myself listening to a song and loving it but then feeling like “wait… it’s over already?” Now there are long songs that drag on, but for the most part the longer Japanese songs are well constructed.

The Vocalists
Here’s the trickiest category of them all- the singers that make it all happen. Koreans *tend* to have deeper, richer voices than their Japanese counterparts. This is especially true when it comes to male vocalists. I’m going to go right out and say it- Korean male singers a bit better. Sorry Japan =/. But here’s the thing… they know how to do vibrato, they’ve got pretty good intonation, they can phrase well. While Japanese men can certainly do all of those things, the tendency (particularly with JE boys) is to have a more nasal-y and higher-pitched sound. Japan has a much more difficult time promoting male artists that aren’t from Johnny’s Entertainment. I adore KAT-TUN and Arashi, but when you’ve got JE backing you up there’s no way in hell you aren’t going to chart well on the Oricon. Now we do get a breath of fresh air with Yuya Matsushita, who has done a superb job in the solo male department. Now you might say that JUNE and K have great voices… but remember, they’re KOREAN.

Now let’s talk about the girls. For the most part I’ll give this award to Japan (not including the travesty of H!P vocalists). There’s a lot of diversity in terms of vocal style for Japanese women… you’ve got everything from Rie fu’s soft spoken voice to Koda Kumi’s raspy vocals. Now Korean ladies can sure belt it out… my favorites being LENA PARK (phenomenal voice), Ivy (though I wish she’d do more ballads), and SeeYa’s Lee Boram and Kim Yeonji. Now I do think that Korea has a larger stock of female rappers, but I don’t think you can compete with Japanese veterans like SOULHEAD.

So this concludes the Kpop vs. Jpop Epic Part I! This was my first shot at an editorial so if you have comments or suggestions please, please, please let me know. Coming up next: international appeal, style, promotion, groups, triple threats, and more.

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Arashi- Monster

2010年 5月 31日

Finally a HQ Arashi cover! I love how dark it is, and all the boys look so professional.

I was really excited to review Monster. For me Arashi is either hit or miss. Some of their songs are too upbeat and happy for my tastes, but Monster is the perfect blend among dark, light, and seduction. There’s a nice blend of sexy and sweet during the chorus, and great harmonization from the boys. For some reason whenever I listen to this song I’m reminded of L’arc~en~ciels Drink it Down. What’s great about this song is that it tells a story; it isn’t just a bunch of mindless lyrics. Basically… I love Arashi!

Spiral is a nice compliment to Monster. We still have that blend of sexy and dark, but this time with a more Latin flair. I’m not big on fusion stuff, but Arashi could make even bossa nova sexy. Yeah… pretty spicy song.

Overall: What’s not to love?

Rating: 8.5/10

Track list:

  1. Monster
  2. スパイラル
  3. Monster [inst]
  4. スパイラル [inst]
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Poll: Prom King and Queen

2010年 5月 27日

So we had a little bit of a “prom court” on Tsuki no Ai. I thought it would be fun to host a shallow popularity contest, so here are the results.

Queen

Namie Amuro- 9 votes, 41%
BENI- 3 votes, 14%
Kanon Wakeshima- 3 votes, 14%
YUI- 2 votes 9%
Yuna Ito- ”
Ami Suzuki- ”
Ai Otsuka- 1 vote, 5%

I figured Namie would win… after all, she is the REAL queen of J-pop! I think I would vote for Kanon… she is releasing a new album this July!!

Now for King results… I was pretty surprised with this outcome actually…

King
Hero (DBSK)- 10 votes, 48%
HYDE (L’arc~en~Ciel)- 4 votes, 19%
Ruki (the GazettE)- 2 votes, 10%
Keita Tachibana (w-inds.)- 2 votes, 10%
Gackt- 1 vote, 5%
Jun Matsumoto- ”
Yuya Matsushita- Lex (okay I’m guessing on this, but I’m pretty sure it was he)
K- 0 votes =[

I did not expect Hero to win at all… didn’t expect there to be that many DBSK fan(girls) that read my blog. THEY’RE JUST ON HIATUS THEY’RE JUST ON HIATUS. I thought HYDE would win, even though he’s a bit old for prom king  =p. I would have voted for Ruki… there’s my boy!

So… that was fun. In the meantime be sure to vote in the new poll and check out our formspring!

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Christmas Blowout Part II: Upbeat Songs

2009年 12月 5日

Yay now we’re onto part II of my Christmas Blowout Series (and there’s still one more part to come!) This time I’m focusing on the more upbeat songs. There aren’t nearly as many of these as there are ballads, so I’m only doing a “top 10.” More male artists/bands will be featured this time, and there are even some jrockers! Again, this might feature a song or two that is not especially “Christmas” or even winter… but any song I associate with this particular season is eligible. So, without further ado, enjoy!

10. Jingle Bell- 雅-miyavi-

Hah so if you first listen to this song you won’t believe it’s a Christmas song. We definitely see what miyavi calls “happy hardcore.” So we have heavy guitars paired with a major melody. Honestly the song just makes you want to dance or something. You don’t see much variation in miyavi’s voice throughout the song, but I think the emphasis is on the instrumentals anyway.

9. Winter Winner- ORANGE RANGE

Listening to this song it’s no mistake that this is a winter song! We open up with some Christmas bells, but soon transition into a positive guitar melody. The song is very upbeat, and it makes you want to go out and have a snowball fight or something. Also, this is one of ORANGE RANGE’s older songs, so many of you will appreciate the style.

8. I Wish- L’arc~en~Ciel

This is a classic winter song for any jrock fan. We have a progressive beat in the beginning of the song, but the chorus is super cute. Why? We have kids singing =D. Haah I’m a sucker for kids singing. The chorus features alternating English lines, so you can understand some of the song if you don’t speak Japanese. This song features Christmas bells and brass, making it a perfect precursor to another jrock song on this list!

7. Nichiyou no Asa- Utada Hikaru

Meaning “Sunday Morning,” this song was featured on her album “Ultra Blue.” Knowing Utada, we get a nice hip hop influence. A xylophone beat follows us throughout the song, giving it some variety. The song structure is a bit unusual, because between each verse and chorus we get Utada speaking, saying different aspects of a Sunday morning. Not a traditional winter song, but good for any Utada fan.

P.S. This is my favorite Utada cover of all time!

6. Christmas曲(櫻井ソロ)- Arashi

Haah this is definitely just a random image. Anyway, this is a solo by arashi singer, Sho. My version of this song is pretty low quality, but I love it all the same. It’s very laid-back and features acoustic guitars, faint background synth, brass, and bells. Sho, being the rapper of the group, raps throughout the verses, and it’s surprisingly relaxing. The rest of the group joins him for the chorus. The chorus is sooo cute too if you listen to the lyrics (but they are in Japanese, so beware). I love this song so much that I’ll listen to it year ’round.

5. Hitoiro- Mika Nakashima

This is not a winter song, but it was released for Nana so I will always associate it with winter. Anyway, while I don’t think it represents Black Stones at all, this is one of my favorite songs of all time. Since it’s for Nana we know it will have some rock influence. The verses feature some piano in the background, and they’re very calm. The chorus however, is amazing. The strings in the background are what give it its power. It’s too upbeat to be a ballad, even if it has many ballad elements. IMO it’s Mika’s best song.

4. Hurry X’mas- L’arc~en~Ciel

Remember how I said the brass would prepare us for another jrock song? Well this is it! Hurry X’mas is much more of a jazz song than a rock song, but it’s a new taste on Christmas songs. We have an especially wide range of instruments… even an accordion. The PV is cute too… and HYDE wears a Santa hat xD. This whole single is Christmas themed, because it features another rendition of “I Wish.” The song also features some English for those of you who don’t speak Japanese!

3. White Light- Namie Amuro

You all knew it was coming… this is one of the more famous jpop Christmas songs. I love the cover… pretty gold wreath is a nice spin on a traditional Christmas symbol. White Light is easily a love song with some very cute lyrics. We have a nice R&B beat, but also some bells in the background. Namie’s English in this song is pretty good, even if it sounds like she’s singing “silent night, hory night.” Everything about this song is winter love themed, making it a timeless winter song.

2. Actuality- Kou Shibasaki

Actuality is Kou’s first Christmas single, and if you like this song I’d suggest getting the whole thing because the b-sides are lovely winter songs too. We have bells throughout the song and lots of strings. The song is a bit slower paced, but definitely not a ballad (for example, this song always reminds me of ice skating). Like many of Kou’s songs, there’s a faint jazz influence. The end of the song ends nicely with Kou gently fading into a winter day scene (shopppers, church bells).

1. So Merry Christmas -take 06- -Mihimaru GT

To me this is a classic Christmas song. Unfortunately it was just a b-side, and it could have totally been an a-side. Anyone familiar with Mihimaru GT knows that they combine singing and rapping, which they do here. This combination along side bells and chimes gives us a new sort of Christmas vibe. My favorite part of the song is the bridge when we hear a choir that leads into Hiroko’s solo against piano. This song is a different style for Mihimaru GT, but to me it makes the perfect upbeat Christmas song.